Travis Hall — HeART Museum | Vocalist · Composer · Arranger

Cat. No. I — Foyer

"I write the way I trained to sing. For the whole room, not just the chorus."

"If my heart were a museum, each song would be a painting on its walls, preserving a moment, feeling or memory through sound."

Live Musicians

HeART Museum was fully composed, arranged, and recorded with 25 Atlanta musicians.

Piece Live Ensemble

Sold-out headline concert performance at Vinyl at Center Stage in Atlanta.

200+

Atlanta Opera

Educational touring performances. Recording Academy Voting Member, Class of 2026.

2022

The Pivot

"In 2022, the Spirit called me back to a sound I thought I had left behind. This album is my answer."

Cat. No. II — Gallery

HeART Museum

Eight songs. One live band. One emotional archive.

Travis Hall in studio light, working among large abstract canvases — candidate triptych panel.

Panel I — Studio, in progress

HeART Museum album cover — Travis Hall among floral abstract canvases, holding a mirrored frame.

Panel II — HeART Museum, cover, 2026

Travis Hall facing a triptych of abstract paintings, tracklist plate — candidate triptych panel.

Panel III — Tracklist plate, 2026

Side panels in development — final triptych to be confirmed

One live band. One emotional archive.

Eight rooms, walked in sequence — first love, devotion, distance, and memory — scored with a full live ensemble instead of a programmed arrangement. Stream the record in full below, or open a track to read the liner notes.

CreditsWritten & produced by Travis Hall. Live strings, background vocal stack.

NotesThe record's highest register moment — classical phrasing set against a soul rhythm section.

CreditsWritten & produced by Travis Hall. Full horn section, live drums.

NotesCompanion piece to the official music video — Best Original Music Video Winner, 2026.

CreditsWritten & produced by Travis Hall. Harp, upright bass, brushed drums.

NotesA quiet room in the middle of the archive — sparse arrangement by design.

CreditsWritten & produced by Travis Hall. Live rhythm section, strings.

NotesOpens the archive — a first-room portrait, voiced with restraint before the ensemble arrives.

CreditsWritten & produced by Travis Hall. Live piano, strings.

NotesThe turn of the archive — recorded in a single live take with the full band.

CreditsWritten & produced by Travis Hall. Horns, strings, full ensemble.

NotesThe largest arrangement on the record — 25 musicians in one room.

CreditsWritten & produced by Travis Hall. Live strings, horns, full ensemble.

NotesCompanion piece to the official music video — Best Music Video Winner, Urban Media Makers Film Festival.

CreditsWritten & produced by Travis Hall. Strings feature, voice and piano.

NotesCloses the museum — the title theme, stated plainly at the exit.

Cat. No. III — Stage

"The record became a room."

Vinyl at Center Stage — 16-Piece Live Bandstand

Placeholder footage until the confirmed Vinyl at Center Stage reel is delivered.

"A Day"

Best Original Music Video Winner · 2026

"Fireflies"

Best Music Video Winner · Urban Media Makers Film Festival Official Selection · London Music Video Festival Nominee · BBR Indie Film Festival

Official videos hosted on YouTube — @TravisHallMusik

Download 16-Piece Stage Plot & Tech Rider (PDF)

Cat. No. IV — Studio

"From the first idea to the finished record."

Every record starts the same way: an idea, alone at the piano. From there it moves through co-writing, vocal production, rhythm section and live ensemble scoring, background vocal arranging, and strings-and-horns orchestration, until a sketch becomes a fully scored, performance-ready record. Development isn't treated as a separate service. It's the same practice, turned toward the artist instead of the song.

Original Composition

Full-length songwriting, from first idea to lead sheet, built for live ensemble arrangement.

Vocal Production

Lead and background vocal production across soul, R&B and classical-adjacent repertoire.

III

Live Ensemble Orchestration

Strings and horns, scored for a full live band — not a programmed session.

Artist Development

Guidance carried from first idea through a finished, performance-ready record.

Inquire Through Management

Cat. No. V — Archive

Press, credentials, and recognition.

"A ten toes down soul singer whose lush tenor voice reaches the emotional stratosphere when the moment calls for it."

SoulTracks

"I have spent my life trying to figure out who I am, and what I have realized is that merging all of this is who I am... I have spent my life in between places."

ArtsATL

"R&B/soul and production reminiscent of Quincy Jones, especially with the additional strings and stops and starts. Travis's voice soars on this, and he captivates you from the outset."

Fresh On The Net (UK)

GRAMMY® DistinctionEntered for GRAMMY® Consideration across 4 categories, 68th Annual GRAMMY Awards.
Recording AcademyOfficial Voting Member, Class of 2026.
Editorial RecognitionTIDAL (Song of the Week / Future Soul), Soul & Jazz & Funk, Echoes Magazine, Grammy.com / GRAMMY U.

Film Awards

"A Day"Best Original Music Video Winner · 2026
"Fireflies" Best Music Video Winner · Urban Media Makers Film Festival
Official Selection · London Music Video Festival
Nominee · BBR Indie Film Festival

Press Contact

Marilyn Reles-Lozano

Present PR

marilyn@presentpr.biz

Download Executive EPK

Cat. No. VI — Visit

Three routes into the room.

Booking a stage, proposing a collaboration, or covering the story — each goes directly to the right desk.

Booking & Live Staging

Headline shows, the 16-piece HeART Museum ensemble, or stripped-down sets.

booking@travishallmusic.com ↳ Download Stage Plot & Tech Rider

Composition, Production & Writing

Co-writing, vocal production, arrangement and orchestration inquiries.

collab@travishallmusic.com

Press & Institutional Inquiries

Interviews, features, and institutional partnerships — routed through Present PR.

marilyn@presentpr.biz Marilyn Reles-Lozano, Present PR

Private Archive